It seems like everywhere I look, people are starting reading challenges for the new year. Some are aiming to read 18 books, some 80… I set my own 2018 reading challenge at 55 books. The… More
Pulitzer-prize wining author Jennifer Egan (A Visit from the Goon Squad, 2011) was in Los Angeles last week to talk about her new historical novel Manhattan Beach with Marisa Silver, part of the ALOUD conversation series from the Library Foundation of Los Angeles.
In a packed auditorium at the Central Library downtown, she shared details about her creative process and what went into creating this book.
It required years of research, which she said she did in a “desultory way” while doing other things from 2005-2012. This included:
- Field trips to shipyards, especially the Brooklyn Navy Yard where she collaborated with the archivist and the Brooklyn Historical society.
- Reading fiction from the first half of the twentieth century. “I included cheesy mysteries, which was wonderful to have an excuse to read those,” Egan said.
- Watching movies from the same time period
She sat down to start writing the book in 2012 without a real sense of who would be in it or what it would be about. When she starts writing any piece of work, she usually has a time, a place, and an abstract question.
With Manhattan Beach, she had very vague ideas about what would be in the book. She knew she wanted it to be set in New York during World War II, that she wanted to explore what it was like to feel the power of America amassing, that she wanted to have a female protagonist working in shipyards, a male authority in the mob world, and maybe one more main character. “There were questions, there were big things I didn’t know,” she said.
Once she began writing her first scene, the architecture began to reveal itself.
“I spent a year and a half on that first draft, and it was 1400 handwritten pages,” she said, which she then typed and read. “In a way, it couldn’t be a more inefficient process,” Egan told the crowd to laughs. “We have technical solutions for this nowadays. But the reason I do it is that is my best shot at good material. If I just sit down and think, I don’t have good ideas.”
This is her process every time. Once she has completed this first stage, she gets analytical and does charts and maps for her story.
She said that sometimes very little is salvageable from that first draft. “I thought it was terrible, and it was, but when I look back, there actually was a fair amount that was salvageable… I guess there was more there than I thought.”
Silver asked her if the novel came out easily when she started writing.
“There’s plenty of throat-clearing,” Egan said. “I’ll have a full day where I’m just trying to fill my pages so I can stop. And of course nothing could be more obvious. And then some days I’m right there and I’m moving…
I try to write 5-7 pages a day. Sometimes I’ll get on a roll, and I write 10, but that’s always a mistake the next day, because I’m depleted. So having a little more I want to do on a particular day is not so bad.”
Egan said that one of the main things that wasn’t working in the first draft was the voice of the book.
“Voice, which is something I think about a lot, I think is actually the most important part of a book, sort of the way it speaks. And I always liken it… to me, it’s really like the stock of a soup. If you have a really great stock, you could put a boot in it, and it will actually still taste good, because you have a great stock. And if you have a thin stock, you can put in the most marvelous ingredients, and it will still taste dull. So for me, the voice is that stock. And it can take a while, just as a stock does, to kind of mature and figure out what the right elements are.”
There was a period after reading the first draft where she thought very seriously about abandoning the book. She said she wasn’t sure that she could do it. But she stuck to it because there was nothing else that she wanted to do, nothing else was pressing on her, and all the research that she did felt vital. “The research was not only essential, but it kind of sustained me.”
I was so struck by the amount of time it took this project to come to fruition–over a decade–and how gnarly the writing process is even for a writer who has won the Pulitzer Prize.
You can listen to the full inspiring conversation on the ALOUD podcast (find it in your smartphone app), or here.
Since this is the first new post in the newly created section of my blog, “Flight Log,” I’d like to share the inspiration behind it. (Older posts in this section were categorized differently in the past, but I’ve included them here in this redesign as an archive).
The “Flight Log” section of this blog is inspired by a beautiful book I recently read, and highly recommend, West with the Night by Beryl Markham, the first person to fly nonstop from Europe to America.
The book begins with the name of a place from her flight log, which paints a picture of adventure, exploration, night flights alone over Africa in the 1930s (she was a solo freelance pilot transporting mail, medicine, and people), tents set up in remote areas, and wonder.
She refers to her log throughout the book, and that leads to romantic nostalgia for the reader, nostalgia for long-lost times and places and what might have been.
Though my adventure, travels, and exploration will likely be nowhere near the level of Markham’s, this is my flight log of sorts, a space to gather photography and notes from places I visit and events I attend, and who knows what else.
Here, my log starts with a weekend getaway to Big Bear Lake, two hours east of Los Angeles. The small mountain town (population 5,200) offered a perfect fall retreat, with foliage-lined roads and cooler temperatures. I’m grateful to friends who suggested and planned this getaway. A big group of us rented a cozy home with a great deck, yard, and kitchen (through Airbnb).
On Saturday night, I sat on a black wooden rocking chair on the porch, underneath a warm fleece blanket, and looked up at the stars, thousands more than I would normally see in the city. I stared at the shadow of the milky way and remembered stargazing on my balcony in Lebanon when I was fifteen. It brought to mind this sentence I love, written by Noah Hawley in his novel Before the Fall:
What if instead of a story told in consecutive order, life is a cacophony of moments we never leave?
There’s nothing like being in nature and staring at the night sky that makes you want to live deliberately, to try to create more good, deep moments for your collection.
For me, one way to do that is to make the most of each season. I created a small list of to-dos for myself to appreciate fall in Los Angeles.
1. Fall weekend getaway. √
2. Seek out foliage on hikes and walks with Minjay. √
3. Bake and enjoy pumpkin treats. √
4. Seek out different neighborhoods for morning walks with Minjay that have great Halloween decorations. √
5. Go to an event that celebrates all things fall. √
Ever since moving to Los Angeles, I’ve been wanting to go to a live taping, but didn’t get around to it. I finally reserved a spot for a taping on the Universal Studios lot of Home and Family, the morning show on the Hallmark Channel that really goes all in for the seasons. It was fun to watch the behind-the-scenes work that goes into a morning show and check out the decorated set in person.
What are some ways you make the most of fall where you live?